TIFF 2013 - The Final Word

The red carpets have been rolled up for another year and now it's time to get into the new TV season.  Before I do, here's a summary of TIFF for 2013.  I saw a total of 20 movies this year, nothing that made me want to leave the theatre, and had an enjoyable time talking film with my friends and line-mates.

My Favourite movie of the festival

Can a Song Save Your Life from director John Carney and starring Mark Ruffalo, Kiera Knightly, Adam Levine, Catherine Keener and Hailee Steinfeld in the story of the making of an album.  Great music, performances and if you don't feel happy when the credits roll you have no heart.

Great Movies (they will -or should- factor in come Oscar time)

12 Years a Slave - the People's Choice winner and presemptive Oscar frontrunner in the early stages of the award season.  Chiwetel Ejiofor gives an amazing performance as a man forced into slavery dealing with all the horrors that encompasses.

Gravity - an absolutely visually stunning, original story about two astronauts lost in space, featuring a wonderful performance by Sandra Bullock.

August: Osage County - Meryl rocks.  As does most of the sprawling cast telling a story of family dysfunction.

The Railway Man - the true story of a man dealing with the torture he endured during WWII anchored by the performances of two pairs of actors playing younger and older versions of the same character.

Devil's Knot - Atom Egoyan's dramatization of the West Memphis Three case is hard to watch...as it should be.  And will make you want to learn more about the injustice if you haven't seen the documentaries already.

Labor Day - Kate Winslet and Josh Brolin spend the weekend in her home.  He's an escaped convict...is she his hostage or his saviour?

Very Good Movies (I would totally recommend that you see them)

Bad Words - Jason Bateman's directorial debut about a 40 year old spelling bee contestant is foul and funny and a bit heartwarming too.

Third Person - Paul Haggis brings us three stories in three differents cities exploring the meaning of love and relationships.  Of course they do all connect in some way in the end.

Hateship Loveship - Kristen Wiig proves she can tackle drama in the story of a quiet woman searching for happiness.

Enough Said - a grown up rom-com about two real people, made bittersweet as James Gandolfini's last performance

Ok Movies (a worthwhile plane selection)

Don Jon - JGL makes his filmmaking debut with the story of a guy who is too obsessed with porn to form a real relationship with a woman.

The Face of Love - Annette Bening is great as usual as a woman trying to get over her husband by getting into a relationship with a man who looks just like him.

The Invisible Woman - the true story of the young woman involved in an affair with Charles Dickens.

A Promise - a classic love triangle story.

Meh (don't bother)

A Story of Children and Film - a bit on the pretentious side.

When Jews were Funny - I found it a little aimless and disjointed.  Others didn't agree since it won Best Canadian Feature at the awards.

You are Here - Matt Weiner's first foray into movies was not a success.

The Double - most of the critics liked this one way more than I did.

TIFF 2013 - Hateship Loveship, 12 Years a Slave and Enough Said

I finished off TIFF this weekend with two movies that are both going to be in theatres in the next little while and one last indie still looking for distribution.

The first, the aforementioned indie, was Hateship Loveship, a drama based on an Alice Munro story brought to the screen by director Liza Johnson.  The movie stars Kristen Wiig as Johanna Perry, a mouse of a woman who has worked as a caretaker for her whole life.  Her current gig is in the home of Nick Nolte's Mr. McCauley, who has hired her to care for his granddaughter Sabitha (Hailee Steinfeld).  She finds herself attracted to Sabitha's ex-con addict father (Guy Pearce) after he is kind to her on a visit and sends her a brief note in a letter to his daughter.  When Johanna writes back, Sabitha and her friend Edith turn all mean girl and start corresponding with her as him leading her to eventually take off (with some stolen property) to show up on his doorstep unexpectedly and all sorts of complications follow.

I had seen Wiig at TIFF last year in a more serious role and this movie illustrates again that she is a very good actress.  My heart just broke for this woman who has never really had a life of her own taking tiny steps towards her own happiness.  I also thought the relationship between Sabitha and Edith dealing with all their teenage shit was really natural and well done.

Movie Grade: B+

Next up was 12 Years a Slave by director Steve McQueen (Hunger, Shame) which premiered at the beginning of the festival (geez that seems like a long time ago) to both critical and audience acclaim.  In fact, it was anointed as the festival's People's Choice winner at the awards ceremony yesterday.  And it is an excellent movie that I'm sure you'll be hearing more about in the months to come.

The true story of Solomon Northup (Chiwetel Ejiofor), a free man living in Syracuse in 1841 who is kidnapped and sold into slavery and the horrors he endured at the hands of the men (and women) who enslaved him.  Ejiofor will no doubt be nominated for an Oscar for his performance as Soloman, and rightfully so, but he is also surrounded by a great supporting cast in roles big and small including Michael Fassbender, Sarah Pauley, Benedict Cumberbatch, Paul Dano, Alfre Woodard and Lupita Nyong'o.   There are some scenes that were just brutal to watch (I will admit to averting my eyes on a couple occasions)  but I would absolutely recommend seeing it.  It will be hitting theatres next month.

Movie Grade: A

Finally, my last movie of TIFF for 2013 was the charming, bittersweet romantic comedy Enough Said starring Julia Louis-Dreyfus and James Gandolfini in one of his last roles as Eva and Albert, two divorcees who end up finding love together.  Of course, it can't be that easy, and it turns out that one of her clients and new friends (she plays a massage therapist) is his ex-wife and she just can't stop herself from listening to her complaints about Albert and starting to internalize them herself.   It's a grown up movie about real relationships and both leads turn in great performances in roles that are very different than we're used to seeing them in.  It actually opens next weekend and I hope it does well.

Movie Grade: B+

TIFF 2013 - A Promise and The Face of Love

Thursday and Friday were light days for me with only one film apiece which allowed for some catch up on both sleep and laundry.

A Promise is the first english language film from French director Patrice Leconte and tells the story of a love triangle in pre WWI Germany.  Alan Rickman plays Hoffmeister, a wealthy industrialist who brings Ludwig (Richard Madden), a new up and coming employee into his home.  The young man quickly forms a bond with his  son and more importantly with his much younger wife (Rebecca Hall).  From there the story is a pretty basic love triangle with complications including Hoffmeister's health, Ludwig's ambitions and the war itself.  The three actors all turn in good performances and and there are some lovely sequences but the movie as a whole was a bit anticlimactic for me.

Leconte introduced the film and came back onstage with an interpreter to take questions from the audience.  He was charmingly french and discussed the filming locations and working with his English speaking cast.

Movie grade: B

Friday afternoon was the second screening of The Face of Love from director Arie Posin.  It stars as Annette Bening as Nikki, a solitary woman who five years after the traumatic death of her husband runs into his virtual double and goes to great lengths to form a relationship with him.  Ed Harris plays both roles and manages to make both men distinct characters.  Nikki becomes fixated on trying to recreate her relationship while also trying to keep the new man in her life secret from her daughter and well meaning neighbour (Robin Williams) who clearly wants more than friendship from her.  It's not really a matter of if she'll be found out but when, and how her life will explode when that finally happens.  Benning turns in another great performance and it's a solid movie, with a lovely message about the way we can move on from tragedy.

Posin introduced the movie and returned afterwards with Benning (which was a lovely surprise) to take questions from the audience.  He talked about the genesis of the idea for the film which was a discussion with his mother.  Both he and Benning talked about the character's motivations and the process of coming together to make the film.

Movie Grade: B

TIFF 2013 - Don Jon and Gravity

Things are starting to get quieter at the festival as we get into midweek.  I had two screenings Wednesday and there wasn't a Q&A, or even an intro to be had by the filmmakers.  Still some good viewing though.

Don Jon was written and directed by Joseph Gordon Levitt (his debut) and he also stars in the film as the titular character, a New Jersey boy who cares about his family, friends, church and most importantly his porn habit.  He's basically a better acting version of one of the folks on the MTV series Jersey Shore.  Scarlett Johansson shows up as his potential true love and soon enough he's trying to make changes to make her happy, from taking classes at community college to giving up his porn habit (he's unsuccessful).  Tony Danza and Glenne Headly are entertaining as his parents and Brie Larson gets exactly one scene with dialogue as his sister (though her facial expressions throughout provide laughs). And Julianne Moore is wonderful as always as a fellow student who forms a connection with Jon as the movie progresses.

It's fine but not great.  A total middle of the road movie.  Grade? B

Seeing Gravity in IMAX is definitely the way to go.  The movie opened up at the Venice film festival and had it's gala here over the weekend to mostly positive reviews and I have to add mine to it.  Two astronauts (Sandra Bullock and George Clooney) are stranded in space with a few long shot options for survival when debris from a satellite wipes out the rest of their crew and most of their equipment.

It is a beautiful movie to look at, and there has been much discussion and well deserved accolade about how they created many of the shots in the film.  It's also just a really good story that kept me on the edge of my seat and holding my breath throughout.  Bullock's performance was fantastic (even with the space suit between her and the audience) and provided the heart of the movie and the action sequences were stunning.

Movie Grade: A

Unfortunately logistically, the screening was yet another example of the organizational mess at the Scotiabank theatre this festival.  The 14 screens at the theatre have been completely taken over by TIFF and have been host to all of the press and industry screenings during the day and public screenings in the evenings.  It just wasn't designed to run at full capacity in every theatre for every screening.  Bathroom facilities have been inadequate and lines have been a bit of a mess.  Tonight for example there was a group of people ahead of me in line that were quite disgruntled because they arrived 2 hours early for the screening and were waiting upstairs after asking repeatedly where the line for the movie was only to be finally directed to the right place outside and discover that they had to join the end of a line that had just formed.  At the time I kind of thought to myself that they were worrying over nothing since we'd all get a seat and we weren't that far back in the line for entrance.  Well, apparently the showing for the movie was actually oversold (I have never seen that before at TIFF) and after a 30 minute delay with people milling at the door and them trying to bring in extra chairs Cameron Bailey finally announced to the crowd that they were going to start the screening for us lucky people in our seats and have to figure out an alternative screening for ticket holders who didn't get in (I would have been so pissed to be one of those people).  Finally, on our way out of the theatre which is either by way of a giant staircase or escalator the TIFF staff kept the exit forced to just two doors a blocking off about 8 other possible doors leading to an almost disaster at the bottom of the escalator where I almost had to crawl onto the back of the man in front of me instead of getting trampled.  I know I'm not the only one to express concerns with the Scotia issues this year and I hope they work out the kinks before next TIFF rolls around.

TIFF 2013 - August: Osage County, Third Person & When Jews Were Funny

My last three movie day of the festival was yesterday and it was a bit of a mixed bag...

The day started with August: Osage County which was a great way to start off the day.  The movie is based on the pulitzer prize winning play by Tracy Letts (who also did the screenplay) and stars a plethora of big names including Meryl Streep as matriarch Violet Weston and Julia Roberts as one of her daughters.  It's basically a dysfunctional family drama/dark comedy about a pill popping, abrasive mother dealing with her three daughters and all of the family skeletons after the family returns home for their father's funeral.

I had seen the play when it passed through Toronto with Estelle Parsons as Violet and I was blown away by the production.  When I heard that Streep had been cast in the movie version I was excited to see what she would do with the role because, of course, we always expect Meryl to be great.  And seriously, every time I start to think that maybe she might be a bit overrated I see one of her performances, and this one is no exception.  She is tears into the character of Violet and was absolutely riveting and most of the cast holds their own as well, including fantastic performances in particular by Julia Roberts, Julianne Nicholson, Margo Martindale and Chris Cooper.

The director John Wells showed up to introduce the film though didn't return for a Q&A afterwards...I think he may have been busy at the press conference for the movie.

Movie Grade: A

Then it was back to the Ryerson for the second screening of Third Person, the latest from director Paul Haggis.  It's a story about love and the love lives of three men in three different cities.  In Paris, Michael (Liam Neeson) is a writer trying to finish his latest novel while dealing with his relationship with the damaged and prickly Anna (Olivia Wilde).  In Rome, Sean (Adrian Brody) is finishing up a business trip when he runs into Monika (Moran Atias), the damsel in distress of his dreams (or so she seems).  Finally in New York, Rick (James Franco) is an artist with a romantic past with Julia (Mila Kunis) who is possibly the most troubled and screwed up of all the women.  Without spoiling the movie, these three stories are all interconnected in some way and as Haggis put it himself in his introduction, you will benefit from watching carefully to spot details that may help you figure it out.

Haggis, producer Michael Nozik, producer/star Moran Atias and star Adrian Brody turned up for a Q&A following the movie.  Haggis was a bit testy about not wanting to answer questions about the movie, saying that he wanted to make the type of film that people would debate about afterwards and that the puzzle pieces are scattered throughout.  He also talked about how the movie got made and gave a lot of credit to Atias for being persistent.  Atias and Brody talked about their storyline and got into some of the details about filming (including some misfortune with her awful fake teeth).

Movie Grade: B+

Finally, I ended the day at the premiere of the Canadian documentary When Jews Were Funny by Alan Zweig.  Zweig interviews dozens of comedians, from the Borscht belt original Shecky Greene through Howie Mandel and Gilbert Gottfried to the more currently relevant Marc Maron and Andy Kindler to discuss comedy in general, Jewish comedy in particular and the influence of being Jewish on their particular brand of comedy.  Some of the segments were more entertaining than others, most notably with Bob (Super Dave Osborne) Einstein and Judy Gold for me.  The movie goes off on more than one tangent and I came away not really sure what point of view Zweig was trying to get across.  Is it a commentary on assimilation?  A discussion on how hardship breeds comedy?  A projection of the future of comedy?  A study of what it means to be Jewish?  I really wasn't sure.

Zweig and a few people included in the film where there to take questions after the screening and he didn't do much more to enlighten me about his intentions.  Interesting was the discussion of some of the people he had asked to be part of the film who declined (which came up when someone asked about the lack of women in the movie...where he thankfully cut off any "women aren't funny" suppositions).

It was my last documentary of this year and I came away feeling a bit disappointed that I didn't love either of them.

Movie Grade: C+

TIFF 2013 - The Double and The Invisible Woman

Jesse Eisenberg plays a dual role in The Double, both as the meek apologetic worker bee Simon and his sociopathic doppelganger James who slowly takes over his life.  And he's great as both of them, but the movie may have been a bit weird for my taste.  Based on a Dostoevsky novella, and set in some strange version of the past, the movie explores the themes of paranoia,  identity and longing for a connection.  Mia Wasikowsa (Eisenberg's real life girlfriend) shows up as the unattainable object of Simon's desire only to be used and abused by James, and Wallace Shawn is entertaining as the boss who humiliates Simon on a regular basis while praising everything that James does (which, of course, he's stealing from Simon).

More than worth the price of admission was the witty, entertaining and very funny introduction and Q&A with the film's director Richard Ayoade.   Best known for the UK television series The IT Crowd and possibly his acting in last summer's The Watch, Ayoade previously came to TIFF with his directorial debut Submarine and provided some high quality entertainment for the crowd.  Extremely self deprecating and quick witted, his commentary on people leaving the theatre (likely on their way to their next movie) was interspersed with actual answers about the motivation and process of making the film.   He even managed to lighten up Jesse Eisenberg :-)

Movie Grade: B- Q&A: A+

Ralph Fiennes directs and stars as Charles Dickens in The Invisible Woman,  the story of Dickens' secret mistress, the young Nelly Ternan played by Felicity Jones.  It's a pretty basic story, older rich man gets involved with young beautiful girl made all the more interesting by the fact that he was able to keep the relationship somewhat secret as such a public figure.  The story is told from Nelly's perspective and in flashbacks from her current life as a married schoolmarm in the late 1800s.  There were several really lovely scenes in the film, and Fiennes and Jones are both quite good in their roles, as is Joanna Scanlan as Mrs. Dickens but the movie was a bit slow in parts for me.

Fiennes seemed quite emotional both introducing the film and speaking about it afterwards, and gave credit to many people for helping him get to the finished product.  Jones charmingly spoke about what it was like to be directed by Fiennes (mostly like being directed by Dickens), and how making this movie made her look at the female characters in Dickens' novels differently.  They both spoke about the idea of 'the invisible woman' and how the film contains several depictions of female characters that could be described that way.  They were both quite eloquent and charming.

Movie Grade: B

TIFF 2013 - Three Movie Sunday!!

8:30am on a Sunday morning is an early screening.  It says something when you're getting in line before the coffee shop is open.  Matthew Weiner, who showed up for the early morning start to introduce his directorial debut You Are Here started his into by calling us 'his people' who consider going to the movies going to church.

And I have to be completely honest with you.  Maybe it was the early morning or the fact that it was my 5th movie in less than 48 hours but I may have nodded off for a bit in the middle of the film.  I'm pretty sure I saw enough of it to render an opinion though :-)

The film is primarily the story of two childhood friends played by Owen Wilson and Zach Galifianakis and their trip back to their hometown after the death of a parent.  They each have their issues of course, Wilson's Steve is an empty charmer with empty relationships and Galifianakis' Ben clearly has some mental health problems. They tangle with Ben's sister and newly widowed stepmother played by Amy Poehler and Laura Ramsey respectively.   I think it could likely benefit from a tighter edit, and there were a few scenes that seemed out of place, so overall it fell a little bit flat for me.

I asked my friend what she thought the over/under was on how many questions it would take for someone to reference Mad Men and we both figured (correctly) that it would come up on the first question for Mr. Weiner.  And the second.  And the third.  People did a pretty good job of structuring their questions so that they encompassed both the show and the film but I would have probably been pretty annoyed if I were him.  To his credit, he didn't seem to be, and appeared to be happy to discuss the film (and his television experience).  He said that he had written the script about 8 years ago with Wilson in mind and it took him a long time to get it made, also commenting on the scheduling challenges of trying to finish the post production on the movie while still running his incredibly successful TV show.

Movie grade: B-

It's a somewhat early call, but I think Can a Song Save Your Life might just be my favourite film at TIFF this year.  The movie, written and directed by John Carney (who brought us Once) stars Mark Ruffalo as Dan, a down and out record label exec and Keira Knightly as Greta, the singer/songwriter to grabs his attention and gives him a chance at redemption by helping her pull together an album.  The cast is rounded out by some real life musicians (Mos Def as Dan's partner, Adam Levine as the boyfriend who treats Greta badly and Cee-Lo Green as a hip hop star) as well as Catherine Keener and Hailee Steinfeld as Dan's estranged family.

Like Once, the storyline is pretty basic, and the movie succeeds largely on the fantastic music and great performances by Knightly and Ruffalo.  The movie was filmed outdoors all over New York City and just has a great vibe to it.  The audience I watched with (it was the second screening after the premiere on Saturday) all seemed to enjoy it as much as I did, greeting Carney excitedly afterwards when he came up to the stage for a Q&A.   He was very entertaining, with stories of the filming process (and dealing with the paparazzi in NY), discussing the songs in the film and the people who contributed to the movie and seemed inordinately pleased with how much of a douche Adam Levine had to act like on screen.

Apparently some of the studios were as pleased with the movie as I was because there was apparently a bidding war over Saturday night for the rights to the film.  It looks like the Weinstein Company came out the winner so I'd imagine this one might get a release before the end of the year, if only to make sure the songs are eligible for the Oscars.

Movie grade: A

I have never seen as many reserved seats at the Elgin theatre than for the world premiere of Atom Egoyan's Devil's Knot.  I figured it was because Egoyan is a local and had a big section for all his friends and family but it was also because so much of the large cast attended the screening.

The movie is a dramatization of the story behind the West Memphis Three, the teenagers who were tried and convicted of killing three young boys in 1993 only to finally be released from jail in 2011 after  years of fighting and appeals.  I don't feel like I need to call this a spoiler as there has been so much coverage of the story, including the trio of Paradise Lost documentaries.    The sprawling cast includes Colin Firth as Ron Lax, an investigator who helped the defense team and Reese Witherspoon as the mother of one of the victims, through whom much of the plot is filtered.  There were good performances throughout the movie and it was very well plotted and felt suspenseful, even though I was familiar with the story.

In the post film Q&A, Egoyan discussed activism in filmmaking, the influence of the documentaries (he probably correctly noted that in reality most people have not seen them and that a mainstream movie would bring much more attention to the story), and finally laughingly instructed the audience to ask some questions to his cast since he 'lives here...you can ask me anytime'.  The cast almost uniformly agreed that they got very involved in the case, discussing information gleaned online and through other readings during filming.  When asked about whether they were familiar with the story before getting involved in the film the most entertaining answer came from James Hamrick (who plays one of the accused Damien Echols) who informed us that he was born in 1993 when the events took place and the most touching answer came from Robert Baker (who plays a police officer) who grew up in the area and vividly remembers living through it.

Movie Grade: A- (that's two winners for Firth this year)

TIFF 2013 - The Railway Man & Labor Day

Saturday morning's downpour meant a soggy hour waiting in line to see The Railway Man at the Elgin.  It didn't get much better when the movie froze about 25 minutes in to the screening.  Thankfully the TIFF staff were great about keeping us up to date and were able to restore the screening after about a 20 minute delay.  Even more thankfully, the movie was great and the cast and crew attended for a lovely Q&A for the second screening of the film.

The movie stars Colin Firth as Eric Lomax, a WWII victim of the "Death Railway" and tells the story of the search for his torturer encouraged by his wife Patti (played by Nicole Kidman).  The story takes place both in the 1980s as Eric is finally dealing with the horrors he experienced during the war and in flashbacks to the war itself and I have to say that the casting of Jeremy Irvine as the younger version of Eric was fantastic, as well as the casting of the younger and older versions of Nagase (his torturer).  Stellan Skarsgard also appears as a fellow survivor and has a few great scenes with Nicole Kidman as she tries to find out why her husband has night terrors and has shut her out.  I thought it was a very good movie made all the more powerful by the fact that it was a true story and was made with the involvement of Eric and Patti themselves.

As mentioned, a big chunk of the creative team showed up to discuss the movie including both sets of the actors playing Lomax and Nagase as well as Patti Lomax herself.  Eric passed away late last year and was unable to see the movie finished, though he did get a chance to spend some time on the set.  The filmmakers discussed the 14 year journey to getting the film made (they jokingly said they had to wait until Firth was old enough to play the character).  Patti told a lovely story about how her husband came to the realization that Firth was actually famous when they were told he was going to play the part.  The actors talked quite a bit about how they worked together to create the older and younger versions of the characters (Irvine's initial response that he immediately started to work on his Colin Firth impression was charming).

It was a very good movie: A-

Tonight's film introduction started with  "Welcome to the Jason Reitman theatre", and a promise (apology?) that he would not be back at the Ryerson again tomorrow night.  Reitman then introduced the  world premiere of Labor Day by noting that first, the TIFF/Ryerson audience is who he thinks about when making a film and then saying he hoped that we liked it (and weren't expecting a comedy) because it was a different film than he has made in the past.  He also very touchingly dedicated it to his mother who was in the audience.

The movie stars Kate Winslet as depressed single mom Adele, who ends up providing a ride for a wounded, escaped convict Frank (Josh Brolin) on one of her few forays out of the house to buy some back to school clothes for her son Henry.  As Frank, Adele and Henry end up spending the titular weekend together in her home while the town and authorities search for him they discover that he's more than they expected.  Are they his hostages or not?  Was he really guilty of murder?   How can this situation possibly end in anything but tragedy?  The tension level throughout the film was pretty high and I wasn't sure where things were going until the very end but was very satisfied by the outcome.   Also in something of a theme today I have to mention that the casting of Tom Lipinski as the young Frank was fantastic.

Reitman and the cast took questions after the movie and there were many for Reitman about his motivation for making this more serious/darker movie (at one point he said he felt like he was in a therapy session :-) ).  There was also a really awkward question for Kate on how she dealt with the (mild spoiler alert) unfortunate pregnancy plot point in the movie which elicited gasps from the audience.  All credit to her, she handled it really well and gracefully, actually admitting that she slipped out for the screening because she found it "really weird" to watch right now.

Also a very good movie...two for two today!  A-

TIFF 2013 - A night with the Jasons

Jason Reitman's live read was one of the coolest experiences of TIFF last year so I was very excited for tonight's reading of Boogie Nights.   As he's been doing for the past several years (mostly in LA) and brought to TIFF for the first time last year, Reitman gathers a group of actors to read a script of a movie while he conducts the party reading off the non-dialogue portions of the script.  This year's effort was the screenplay of Boogie Nights and starred the following:

As Dirk Diggler (Mark Wahlberg) - Jesse Eisenberg (how's that for avoiding type casting)
As Amber Waves (Julianne Moore) - Olivia Wilde
As Jack Horner (Burt Reynolds) - Josh Brolin
As Buck Swope (Don Cheadle) - Jason Sudekis
As Reed Rothchild (John C Reilley) - Dane Cook
As Rollergirl (Heather Graham) - Dakota Fanning
As various other characters - Scott Thompson, Jordan Hayes, Jarod Eihnson and Marc-Andre Grondin

As expected, it was a highly entertaining effort.  Highlights included Eisenberg's singing, Wilde and Fanning doing to the coked up scene and pretty much any time Sudekis or Cook were involved in the scene (these two are obviously very used to performing live for an audience).   I really hope that Reitman continues to bring one of these to TIFF every year.

After that we went outside and straight back into line at the Ryerson for Bad Words, the directorial debut of Jason Bateman.  Bateman also stars, as a foul mouthed 40-year old high school dropout and possible genius who enters a spelling bee competition (via loophole obviously) and sets out to win for reasons of his own, destroying the dreams of many children and parents in the process.   His co-stars include Philip Baker Hall and Allison Janney as spelling bee brass, Kathryn Hahn as the reporter following the story and newcomer Rohan Chand as a fellow competitor.

Bateman has described the movie as the "Bad Santa of spelling bees" and the description is an accurate one.  I thought it was quite funny (and judging by the reaction of the crowd I was in the majority) though fairly predictable.

Bateman, Hahn and Chand took the stage for a Q&A after the movie and he was as charming and lovely as I have grown to expect over the past few years of TIFF appearances.  There was a great deal of discussion around how far you can push the envelope in the name of comedy and a charming answer when youngster Chand was asked about the material and he said that his parents had said that the script was "a little advanced" and that his script often had much of the dialogue blacked out.  Bateman pandered to the Toronto audience in the nicest way possible, saying that it was his goal as a director to make it to this festival and said that he hoped to move into more directing in the future.

News first thing this morning was that the movie was acquired by Focus Features so it will likely be hitting theatres sometime next year.  It's worth checking out: B+

TIFF 2013 - A Story of Children in Film

Well, it's that time of year again!  Not back to school or end of summer for me....September is all about the Toronto International Film Festival rolling into town bringing stars, media, tourists, lineups and almost 300 movies to choose from.

Following my usual process of pouring through the program book and spreadsheeting my way to possible choices, I firmed up my schedule to 20 movies over the 10 days of the fest.  I should interject here that I am pretty damn impressed that the move to online ordering TIFF made last year went as smoothly as it did and continues to work very well.  Though as an early ticket package purchaser I know I'm lucky that I don't have to sit in the virtual waiting room waiting to see what's available when individual tickets go on sale.

So, on to the movies....

Unfortunately, A Story of Children and Film was a bit of a letdown as my first film of the festival.  The documentary, written and directed by Mark Cousins, the movie uses the framing device of a home video of his niece and nephew to show the various moods of children and then cuts to numerous clips of movies that illustrate the particular mood or emotion.   I found the descriptions of the types of camera shots and filming techniques quite interesting but the movie seemed a bit meandering and many of the movies highlighted were way more obscure than I would have expected.

Cousins attended the film and I must say that I enjoyed the discussion and Q&A after the film more than the movie itself.  He is clearly passionate about the subject matter and was engaging and well spoken.  For the Q&A: B+, for the movie itself: C+