Chuck. Hallelujah!! The various 'Save Chuck' campaigns have apparently been successful and this wonderful show that was sitting on the bubble of cancellation has received a 13 episode renewal for next year. I'm choosing to just be excited about that and not worry about what the apparently required budget cutbacks will do to season 3. I caught an episode of this show mid way through the first season and then had to spend a few hours catching up courtesy of the folks at Television without Pity before adding it to my repetoire. It's fantastic and I can't quite understand why more people aren't watching. The last few episodes of this season closed out the arc on the creation of the intersect (featuring missing dad Scott Bakula!), had a pretty sexy (there but for the grace of a condom) hookup between Chuck and Sarah, a wedding for Awesome and Ellie featuring the musical sylings of Jeffster and most importantly (especially where next season is concerned) a Chuck who has actually been able to make the decision to be a hero instead of having it foisted upon him...a decision which came with a super upgraded Intersect and what looks to be a whole new set of skills. 
Lost. OMFG Lost. How could you leave us with a flash to a white screen not knowing whether the quest to detonate the bomb had the desired effect?!? Well, of course you could, leaving us dangling is what Messrs Abrams, Cuse & Lindelof seem to do best. This season was as entertaining and frustrating as you would expect from one of the best shows on television. And sets us up perfectly for the final 16 episodes set to air in 2010. What are we do do in the mean time? If you're looking for a Lost fix, I'd highly recommend checking out Doc Jenson's colums for Entertainment Weekly or watching the interview with Lindelof and Cuse here.
House. Ok. In retrospect I knew the Huddy hookup was unrealistic. There's no way he was detoxing overnight and also no way (as much as she likely wanted to) Cuddy would have jumped into bed with him immediately afterwards. The final episode built slowly to the final 10 minutes, where House slowly realized the fact that he had been hallucinating the entire event. It will be interesting to see where they go from here, and I'm hoping we don't spend too long hanging out at the mental hospital at the beginning of next season because I want to see the series get back to dealing with weekly medical mysteries and a protaganist that is on his game. It was nice to see the Cameron and Chase wedding, and I'm also hoping that the producers find a way to get them more screen time in the future because their talents were wasted this year.
The Office. After the first UK copycat season, which I could never watch, every season of the office has ended with a big Pam & Jim moment and this one was no exception. Krasinski's moment on the phone in the hallway was awesome (though a friend recently pointed out that Jenna Fischer was a bit shortchanged by the fact that the moment of revelation of Pam's pregnancy was all about him). Moments in the last few episodes of this season were pretty classic...the inappropriate casual day attire, Kelly & Andy's dance off at the disco, the reappearance of Holly and the negotiation for the sale of the Michael Scott Paper Company were all either laugh out loud funny or completely cringeworthy, which is just how we like it.
Castle. Ok, first of all, I just need to put in a plug for this show. Start watching it, seriously. For the most part, it's a procedural so you're not going to be missing much by jumping in at the beginning of season 2 and everything else you can completely catch up on. Here's the recap so far: Richard Castle is a famous crime novelist who has just killed off his main character (think Patterson's Alex Cross) and gets pulled into a murder investigation because the killer is copying murders from his books. That initial investigation leads him to decide that detective Kate Beckett should form the basis for his new character and through connections to the mayor (among others) he gets himself permission to shadow her for material. It's a fairly basic premise and the cases that they investigate each week aren't all that original but that's not why you should be watching it anyway. First of all, Nathan Fillion is quite possibly the most charming lead ever. Now I'm probably biased since I've loved Firefly, Dr. Horrible, Waitress and pretty much anything else on his resume, but even friends who are not as enamoured with Mr. Fillion have said that this show has become one of their favourites. The chemistry between Castle and Beckett is wonderful and playful and entertaining as hell. But even better is the relationship between Castle and his daughter. The moment in the finale after he waited up for her to get home from her first dance was just so sweet and endearing. The season ended with Castle about to share some information with Beckett regarding the long ago murder of her mother...and I can't wait to see what it was and where they'll go from here.
Grey's Anatomy. I missed watching the episode live as I was out for the evening and unfortunately couldn't help being a little bit spoiled the next day with my inability to avoid various pop culture commentary websites. So by the time I watched the show I was fully aware that John Doe was actually George and even though the plot was done on ER first I felt like the folks at Grey's did it better. It was a really well done finale and ending with both George & Izzie's fates in the balance was an appropriate cliff to hang on. The moment when Arizona was telling Callie why it was so 'awesome' that George had enlisted managed to activate my tear ducts. It was nice to see Mer and Der seemingly in a healthy adult relationship. I love what Kevin McKidd has brought to the show in the character of Owen Hunt and his relationship with Cristina. I hope that we've seen the last of Denny, as much as I enjoy Jeffrey Dean Morgan. And oh, that last moment when the elevator doors opened and George stood there on the other side was killer.
Fringe. Oh J.J. you got me again. Of course you did. You've got a series with a smart, kick ass female lead, a completely charming partner in crime for her in Joshua Jackson and a brilliant, strange mystery to unravel that goes back to experimental childhood treatments (shades of Alias). Alternate realities crop up in sci fi all the time and the idea of deja vu as an indication of such isn't new, but Fringe did it well, as with everything else on this first season. The character of William Bell was omnipresent all season, as the founder of the mysterious Massive Dynamic and former partner of Walter Bishop (the incredibly entertaining John Noble) his name came up in conjunction with many of their investigations. His appearing in the finale (in the shape of Leonard Nimoy no less) was perfectly done, and the final scene with Olivia coming face to face with the man responsible for not only the experiments done on her as a child but seemingly all of the events that she had been investigating was a strong ending. Until the camera panned out to show us that the meeting was taking place in one of the twin towers, which told us more in a single image than they could have told us in minutes of exposition and it got even better. And that about wraps up another season of television. There are a few finales to come (24, Gossip Girl, How I Met Your Mother, Ugly Betty) but the season is pretty much wrapped up. There are a few summer series that I'm looking forward to (True Blood, Entourage) but for the most part my PVR is going to get a break. Which begs the question, should I finally start watching The Bachelorette so that I have something on my TV schedule??
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