My Quest to see EVERYTHING on Broadway

I spent 8 weeks in Manhattan this fall and one of my goals while there was to be able to leave the city being able to say that I had seen absolutely everything playing on Broadway.

Number of Shows on Broadway Nov/Dec 2012 (or starting previews) :  36
Number of Shows I had already seen before arrival:  13
Number of Shows that remained unseen:  6

If you're doing the math you might assume that I saw 17 shows during my little sojourn.  But no, all told, I saw 25 shows in my 8 weeks in New York.  My original goal just kept getting derailed by intriguing off broadway or one-off charity performances.

Here are some thoughts about some of the ones that I saw...

Most unexpected delight:  The Mystery of Edwin Drood (which I saw twice) stars broadway legend Chita Rivera, Stephanie J Block, Will Chase and Jim Norton.  This musical revival based on the last unfinished novel by Charles Dickens is structured as a play within a play and leaves the ending up to the audience, who get to choose whodunnit among other options.

Most Inexplicable Early Closing:  The Performers starring Henry Winkler, Cheyenne Jackson, Alicia Silverstone and Ari Graynor, which closed 5 days after its opening night.  I managed to catch the final performance for this one and found it pretty funny with a couple of great performances by Graynor and Jackson.  I guess broadway just wasn't ready for a show about the porn industry.

Most Easily Understood Early Closing:  The Anarchist starring Patti Lupone and Debra Winger in a new play written by David Mamet.  Winger played a parole officer evaluating longtime inmate Lupone.  They talk, and talk, and talk in circles.  And then it ends.

Laziest Performance:  Matthew Broderick in Nice Work if You Can Get It.  I get that the character is supposed to be a bit of a lazy dilettante but there were many times during the performance that Broderick seemed to be phoning it in.  If not for the supporting performances of Kelli O'Hara, Judy Kaye and Michael McGrath I may have considered it a bust of an evening.

Best Dancing on Broadway:  The fantastic group of boys in Newsies. Who knew that a Disney flop of a movie could turn into such a fun show? The energy of these guys is amazing.

Most interesting stage set up:  The theatre for Once, where the bar on stage becomes functional at intermission allowing theatre patrons to jump up on stage and belly up to the bar.  The show is pretty good too.

Best Makeunder:  The gorgeous Jessica Chastain in The Heiress somehow managed to come across as dowdy and awkward in her portrayal of an uptight spinster caught up in a whirlwind romance (or is that a con game) with a dashing suitor (Downton Abbey's Dan Stevens).

Best Bang for my Buck:  If you've been to the theatre in the late spring or fall you are likely familiar with the annual fundraising drive for Broadway Cares/Equity Fights AIDS.  The cast mades a post curtain call announcement about the charity, usually there are cast members at the doors with buckets as you exit to collect donations and every once and a while you get a bigger fundraising effort from the cast (I watched Hugh Jackman and Daniel Craig auction the shirts off their backs after a performance a few years ago).  The Gypsy of the Year Awards is the show that serves as the finale of this fundraising effort, with performances by many of the current productions, some special guests and performances and announcement of the winners of the fundraising awards.   In one afternoon I saw performances from the casts of The Lion King, Bring it On, Newsies, Once, Mary Poppins, Chicago, Mamma Mia and several others.

Most Against-type Performance:  Laurie Metcalf was incredible starring as a brilliant woman slowly losing her mental faculties in The Other Place.  If she isn't nominated for a Tony I will be really surprised.

Most interesting 'Couple' comparison:  Over the period of a few days I saw two preview performances of plays centred around a young couple and all the problems surrounding them.  The first was Picnic, starring Maggie Grace and Sebastian Stan.  The second was Cat on a Hot Tin Roof with Scarlett Johansson and Benjamin Walker.  Picnic was more enjoyable for the fantastic supporting cast, including Mare Winningham and Ellen Burstyn, but the central couple really lacked chemistry.  In comparison I was completely impressed by Johansson and Walker (who I fell in love with in Bloody Bloody Andrew Jackson a few years ago) as Maggie and Brick.

Best Example of a Star Performer overcoming the material:  Carolee Carmello, who starred in Kathie Lee Gifford's quickly closed Scandalous blew the roof off the theatre.  It didn't matter that the story, about the first and most famous female evangelist, wasn't that compelling to me.

Favourite performances by 'Hollywood Stars':  Jake Gyllenhaal in If There Is I Haven't Found it Yet, Paul Rudd and Michael Shannon in Grace, Al Pacino and Bobby Cannavale in Glengarry Glen Ross, Neil Patrick Harris in the one night concert performance of Assassins and Jessica Chastain, Dan Stevens and David Strathairn in The Heiress.

Many of these shows have since closed as Broadway gets ready for a slew of openings in the next few months prior to the Tony nomination cut off.  Lucky for me, I'm heading back to the city for another spell and will once again attempt to see everything before I go...stay tuned!

TIFF 2012 - A much delayed final posting

Okay, so this is more than a little ridiculous but I left 4 half written entries about the rest of my TIFF movies sitting waiting to be posted and then got distracted, and busy, and lazy, and never finished writing them.  So I'm combining them all now and posting them anyway because if I can't at the very least keep this blog as my TIFF diary, then it really has no purpose :-).  

Joss Whedon and his whole company of players can really do no wrong in my book, and so I was quite predisposed to enjoy this movie, but I think I would have loved it regardless.  Much Ado About Nothing is Whedon's bonus project of 2012 (you may have heard about the other film he directed that came out earlier this year...The Avengers).

The movie is a modern set adaptation of the play, set among a group of wealthy Californians and filmed in Whedon's own home over a 12 day period.  The story of two couples, Beatrice and Benidick and Claudio and Hero, and the machinations of the people around them is funny and entertaining and seems new and fresh.  I will admit to doing a pre-movie perusal of Wikipedia to familiarize myself with the basic plot because I thought I might miss something in the Shakespearian language but I think I would have been fine without it.

Fellow Whedon fans will be happy to see many of his regulars show up in the film, including Amy Acker, Alexis Denisof, Nathan Fillion, Fran Kranz and Sean Maher.  I was quite impressed by all of the actor's performances (performing Shakespeare always seems to be impressive), want to live in that house, and was completely entertained.  A- grade.  The movie was picked up for distribution a few days ago so you should get a chance to see it in theatres at some point.  I'd totally recommend it.

The Paperboy is the latest film from director Lee Daniels (Precious), is based on a novel by Peter Dexter and boasts a great cast including Matthew McConaughey, Zac Efron, Nicole Kidman, John Cusack, Macy Gray and David Oyelowo.  The movie premiered earlier this year at the Cannes festival and had it's North American premiere here at TIFF.  The only thing I had heard about it (constantly) since Cannes is that it's the movie where Nicole Kidman pees on Zac Efron.  And yes, that happens, but it's not really a pivotal plot point of the movie.

I'm not really sure if the movie is good or not quite frankly.  I know I definitely don't want to see it again.  There were more than a couple instances where I had to cover or avert my eyes because what was on the screen was pretty disturbing.

Venus and Serena is a documentary about the tennis siblings that follows the two through the 2011 season, one where both sisters were battling with serious physical ailments.  It also takes a look back, through interviews and footage, at the road they travelled to get to where they are today.

I've always liked Venus and Serena as tennis players and have enjoyed watching them on the court.  It's pretty amazing to me that their lives have been so thoroughly documented for so long.  There were definitely aspects of their lives that were glossed over (extended family issues, religion, the role their father play in their lives) but I still found it an interesting depiction of the two women and came away respecting them and their achievements even more.

It has now been over three months since I sat through The Master and I'm still not completely sure how I feel about it.   I am totally sure that Joaquin Phoenix, Philip Seymour Hoffman and Amy Adams gave wonderful performances.

Taking place post WW2, Hoffman plays Lancaster Dodd, the charismatic leader of an organization known as 'The Cause', a quasi-religion with a group of dedicated followers who follow Dodd's every dictate, even as they become more erratic and nonsensical.  Phoenix is a navy veteran who arrives home from the war pretty screwed up and with an uncertain future who gets pulled into Dodd's orbit and becomes his most loyal follower.   It's beautifully shot, and as mentioned the actors are all fantastic, but I found it a bit disjointed and it didn't keep my attention through the whole thing.

The Final Word

I ended up seeing a total of 17 films at the festival this year (down from the 20 I had originally scheduled before I broke my ankle).  I would say that I didn't really see any total duds, though there were definitely some standouts.  The ones I'd definitely recommend seeing are Argo, The Perks of Being a Wallflower, Much Ado About Nothing,  and The Sessions.  All fantastic movies.  The winner of this year's People's Choice was The Silver Linings Playbook (which I have now seen given how late I am posting this) and I would totally recommend that one too.

See you next year.

TIFF 2012 - My Awkward Sexual Adventure

This movie was way more fun than I expected it to be.  Funny and touching and very cute.

Writer/producer/star Jonas Chernick has spent almost 12 years working to get his film made and he and his entire cast seem happy and excited about the end result.  My Awkward Sexual Adventure is a story about a man who needs to grow up in many ways.  Jordan (Chernick) is an accountant who is kicked out of his Winnipeg apartment by his sexually frustrated (falling asleep during sex frustrated), self involved and somewhat selfish girlfriend and sent off to Toronto where he proceeds to try to figure out how to get her back by finding a sexual Yoda.  Helping him out are his player of a friend Dandak (Vik Sahay...who will always be Lester to me...RIP Chuck) and a down on her financial luck stripper Julia (Emily Hampshire).

As Julia tries to help Jordan figure out how to be a better lover she gets him into all sorts of uncomfortable situations, which for him include a visit to a 'massage parlour' and dressed up in drag.  As Jordan tries to help Julia figure out her financial mess he gets her into all sorts of uncomfortable situations, which for her include a visit to her bank manager and reviewing a budget.   Layer over that Dandak finding himself in the new situation of actually being in a relationship and Jordan's girlfriend hopping a plane to Toronto to confront him and you have a recipe for total awkwardness.

Chernick, director Sean Garrity and castmembers Emily Hampshire, Vik Sahay, Sarah Manninen and Andrea del Campo attended and held a Q&A after the screening.  (And this is how you know it's a Canadian film...when the entire cast shows up for the 2nd screening of TIFF)  There was a lot of discussion about onscreen nudity, filming sex scenes that actually look like sex and one particular prosthetic from the film.  Also comments about casting, the process of getting the film made and what Chernick's mother thinks of the film (she's a financial backer, and loves it for the record).  The movie is scheduled to get a theatrical release (at least in Canada) and will definitely show up on the movie network at some point.  Totally worth seeing (B+).

TIFF 2012 - Hyde Park on Hudson and Disconnect

Tuesday's first movie was Hyde Park on Hudson, starring Bill Murray as FDR and Laura Linney as Margaret Stuckley, his (5th or 6th) cousin, companion and lover.  Most of the action takes place over a 1939 weekend visit of the King and Queen of England.

The movie had grabbed my attention because I had heard really great things about the performance of Bill Murray.  And it's very good, to be sure, but I don't think that it warrants the accolades it seems to be getting.  The story is mostly told from Margaret's point of view, and Linney is typically excellent.  It's a pretty simply told story, and after a rather slow meandering pace seems to wrap up in a hurry.  After Colin Firth's Oscar winning turn as King George VI it was almost distracting to see someone else in the role, and the King and Queen don't come off quite as well here as they did in The King's Speech.  A good movie (B-) but not a great one.  I left the theatre mostly thinking...is there any president in history that wasn't a philanderer??

Disconnect is the first feature film from documentary filmmaker Henry Alex Rubin (Murderball) and is all about the ways that the internet and technology can screw up your life, told in three loosely intertwining stories.

In the first story, Jason Bateman and Hope Davis play parents to a young boy who is tormented and bullied both at school and over social media websites.  The second stars Alexander Skarsgard and Paula Patton as a couple who are the victims of identity theft, further complicating their already complicated marriage and lives.  Finally, Andrea Riseborough plays a reporter doing a story on young kids getting pulled into an internet porn business.

It's a really good movie (A-) and I was tense and on the edge of my seat as these characters tumbled towards potentially traumatic outcomes.  Well paced, acted and relevant.

Bateman, Grillo, Patton and Rubin attended and hosted a Q&A after the screening.  They discussed their characters and how their lives had been affected by the film in terms of their relationships with technology.  Rubin discussed the differences between making a feature and a documentary.  One of the things he did to make the movie feel more real was to find a 'shadow cast' of people who had actually been through these situations for the cast to talk to, which I found an interesting approach.  After being asked a few questions about the script and storylines he pulled screenwriter Andrew Stern up on stage to field them.  Bateman was predictably charming and funny (and completely charmed me) and he appropriately finished off the night by congratulating Rubin on the movie.

TIFF 2012 - Arthur Newman and No Place on Earth

Ok, so first things first...I need to tell you that I may have been slightly distracted watching this movie because I was sitting across the aisle, 4 feet away, from Colin Firth.   I may have glanced away from the screen a time or twelve.  He's quite dashing.

Arthur Newman is the directorial debut of Dante Ariola and stars Colin Firth and Emily Blunt as Wallace/Arthur and Mike.  They are two lost people trying to escape their pasts who wind up together. Arthur is a middle aged failure with a broken family who decides to buy a new identity and fake his own death.  He runs into the troubled Mike who has overdosed at a crappy motel and takes her to the hospital.  She figures out what he's doing and decides to come along for the ride.  

The movie was a bit slow to get started for me but was good once it got going.  The performances by Firth and Blunt were great and I'd put it at about a B+ as an overall grade.

Firth, Blunt, director Ariola and screenwriter Becky Johnston hit the stage for a Q&A after the screening. They answered a lot of the usual questions about what it's like to watch themselves onscreen (horrifying),  scenes they enjoyed filming and the getting into character.  Johnson was asked about character motivations and described what she felt the characters would be doing in five years time. 

On a much more emotional and serious note was the premiere of the documentary No Place on Earth.  Directed by Janet Tobias, the film is a mix of historical reenactment and current interviews about a group of jewish families who hid in the caves of the Ukraine for almost two years during World War II.  The caves, and the inhabitation, were discovered by Chris Nicola, an explorer from New York about five years ago.  Members of the families, who were just children at the time, and had emigrated to Canada and the United States after the war, were also interviewed throughout the film.  There was also footage of a 2010 trip that these elderly people took back to the Ukraine with the filmmakers and Nicola to revisit the caves where they had hidden as children.

More emotionally, these same family members attended the screening and were on stage with Nicola and Tobias after the film.  It wasn't so much a Q&A as a storytelling segment with the highlight for me being the 91 and 93 year old brothers Saul and Sam Sterner.  Still sharp, and with amazing memories of stories from more than 70 years ago. 

I'm not sure that I liked the historical reenactment segments of the film, where actors playing the roles made it seem more like I was watching a fictional feature instead of something that actually happened.  But it's an extremely compelling story, and hearing it from the people who lived it makes for a solid documentary (B-).

TIFF 2012 - The first weekend report

So, here we are again. Another year gone and I need to figure out my password to access blogger so I can update what has become my TIFF diary.

And to add a level of difficulty to my TIFF-going this year I managed to lose a battle with the Canadian Shield *the day after* I made my TIFF selections and broke my left ankle (surgery...pins & plates...hurray) and sprained my right. So it's TIFF in a wheelchair for me this time around, making me a much more high maintenance date for all of my friends!

I have to say that the festival staff and volunteers have been amazing as I've figured out how to navigate the chaos of the festival in a wheelchair. From the folks on the phone before the fest started helping me to exchange some tickets so that I didn't have any solo screenings to the headset wearing folks at all of the venues (save one slightly testy lady) to all of the people in orange shirts. Thank you for making this much more enjoyable than I was expecting while I was sitting in the hospital a week and a half ago.

Shall we get to the movies themselves?? Brace yourself, I'm behind getting going on the blog this year so here's what I've seen during the first weekend of the festival.

Thursday - Jason Reitman's live read of American Beauty

I've been following the series of readings that Reitman has hosted over the last year or so in LA and NYC over twitter, EW and NYMag with a high degree of jealousy wishing I could attend one. And the "surprise event" that was blocked off in the schedule for night one of the festival turned out to be just that. The concept behind the series, as per Reitman, came from the idea that while theatre productions are often revived and recast on a regular basis, the same doesn't happen with film. So in answer to the question of "who would you cast in this movie if you were casting it today?" he began staging basically unrehearsed table reads with a new cast in front of an audience.

The movie chosen for this reading was American Beauty, a very appropriate choice considering it premiered at TIFF, went on to win the Academy Award and became the first of many films to follow that model over the last few years.  Here is the cast of the reading:

Lester Burnham (Kevin Spacey role) - Bryan Cranston
Carolyn Burnham (Annette Benning) - Christina Hendricks
Jane Burnham (Thora Birch) - Mae Whitman
Ricky Fitts (Wes Bentley) - Adam Driver
Angela Hayes (Mena Suvari) - Sarah Radon
Col Frank Fitts (Chris Cooper) - Nick Kroll
Buddy Kane (Peter Gallagher) - Paul Scheer
Jim (Scott Bakula) - George Stroumboulopoulus

It was a really interesting experience, and amazing to see the actors ease into their roles and start interacting with each other as the reading went on.  Cranston and Hendricks were particularly good (as I would have expected) with the highlight of the night being Hendricks' reading of the sex scene between her character and Buddy Kane.  "Worth the price of admission", Reitman couldn't help interjecting into the middle the scene.

It was a really great way to kick off TIFF.

Friday - Imogene and Frances Ha 

Imogene is a really charming, funny movie that shows off the range of Kristen Wiig.  Wiig stars as the titular Imogene, a failed playwright who fakes a suicide attempt in an effort to win back her boyfriend and gets remanded to the custody of her dysfunctional family.  Annette Benning plays her mother, an Atlantic city gambler with a younger strange boyfriend (Matt Dillion), a socially awkward son (broadway vet Christopher Fitzgerald) and a boarder who's taken up residence in Imogene's girlhood bedroom (Darren Criss).

The movie was written by Michelle Morgan, who also plays a small part in the movie and is loosely based on her own experiences.  Morgan, directors Shari Springer Berman and Robert Pulcini and actors Wiig, Fitzgerald, Criss and June Diane Raphael attended the premiere and held a Q&A following the screening.  Apparently Matt Dillion and Annette Benning were also supposed to be in attendance but had some logistical difficulties getting to Toronto.

I think I'd give this one a B+.

Frances Ha is the latest from director Noah Baumbach and stars indie darling Greta Gerwig (who also co-wrote the script).  Gerwig stars as Frances, an aimless twenty-something dancer who lives in Brooklyn with her best friend Sophie (Mickey Sumner) and has a series of relationships and encounters with fellow dancers, slacker boys, hipsters and her own family as she tries to figure out her life and direction.

The film was shot in black and white and it lends the movie a sort of dreamy feeling.   Baumbach, Gerwig and Sumner took the stage after the movie to do a Q&A and answered questions about the making of this small movie under the radar, the casting and filming process.  Baumbach at one point seemed a bit put out by a question about whether the HBO show Girls had an influence on the movie answering "Yes, because we made the movie in the future". He also discussed the influence of older films and the importance of music in the movie.

Overall I think I'd rate the movie a solid B-, worth seeing but not worth rushing out to find.

Saturday - Argo and The Perks of Being a Wallflower 

Argo was brought to the festival by director Ben Affleck, who in a lovely surprise showed up to introduce the movie to the Saturday morning audience.  He discussed how it felt very fitting that the film was premiering in Canada given the subject matter of the movie and of course pandered to Toronto audiences in the nicest possible way :-).

I really, really liked Argo.  The movie is based on the Iran hostage crisis that started in 1979 and tells the story of the 6 Americans who escaped the embassy and hid in the home of the Canadian ambassador and how they were rescued by an exfiltration expert (Affleck) in the CIA.  It was really well done and the performances were very good (I particularly enjoyed Bryan Cranston as an associate of Affleck's character).  Affleck has really turned into a great director and there were a few shots in the movie that really grabbed my attention.

I'd rate Argo as an A movie, and wouldn't be at all surprised to hear Affleck's name tossed around for Best Director come Oscar time.

The Perks of Being a Wallflower may be the perfect teen-angst movie.  Director Stephen Chbosky adapted his own beloved novel for the screen and cast a group of up and coming young actors to populate the movie.  Emma Watson takes on her first major role post Harry Potter and comes across really well as recovered bad girl Sam, Logan Lerman is wonderful as the introverted Charlie, a misfit freshman with issues and Ezra Miller is amazing as Patrick.  It was a very moving film for both the audience and the cast in attendance (Emma Watson was sobbing as she walked past me to head to the stage for the post film Q&A).

I have never read the novel and now definitely have to pick it up.  Many of the questions from the audience were about the book, and the changes made for the screen.  One guy actually said he had studied the book in grade 11 and had written a paper on the similarities between Charlie and Holden Caulfield, which caused Chbosky to first ask about his grade and then say that he'd love to read it.

A very, very good movie...A- for me.

Sunday - How to Make Money Selling Drugs, The Sessions and Writers

Busy day today!  My only three movie day and I was feeling a bit nervous about being able to get to/sit through three movies but everything went really well.

How to Make Money Selling Drugs is a cheeky documentary with a clear point of view about the futility of the drug war.  Presented in an old school "How To" style, with accompanying icons across the screen and almost video game like sounds as you progress up the levels from corner dealer to cartel leader, it paints a pretty compelling picture of the total failure of the enforcement of drug crime to manage the problems associated with drugs.  The movie includes interviews with former dealers as well as well known figures in the drug discussion including 50 Cent, Russell Simmons, Eminem, Woody Harrelson and Susan Sarandon (?).

Director Matthew Cooke, producer Bert Marcus and former drug smuggler Brian O'Dea took the stage for a Q&A after the screening.  Most of the discussion (as expected) centred around the futility of the drug laws and the need for reform.

It's worth seeing, solid B.  They are hoping for a theatrical release so hopefully you'll have a shot to actually see it.

The Sessions premiered at Sundance this year (where it was originally titled The Surrogate) and has been receiving attention for the performances of John Hawkes and Helen Hunt, as well it should.  The movie is based on the true story of Mark O'Brien, a man struck with polio as a child forced to live most of his life inside an iron lung.  In his late 30's with the help and advice of a caring priest (William H. Macy) he embarks on a relationship with a sex therapist to lose his virginity.

It's a really well done movie, and much much more funny than you would expect it to be.  Hawkes (Oscar nominated for Winter's Bone) gives an incredible performance and Hunt is bravely naked (both literally and emotionally) in her role.

A-.  And I would not be surprised to see Hawkes and Hunt on the Oscar ballet next year.

Writers is a film populated with writers.  Greg Kinnear's William Borgens is an acclaimed author who can't get over his wife (Jennifer Connelly) leaving him for another man, is in an unfulfilling physical relationship with a neighbour (Kristen Bell) and can't write anything new.  His daughter Samantha (Lily Collins) surprises the family with the news that her book is about to be published over Thanksgiving dinner, a book her father didn't even know about.  And his son Rusty (Nat Wolff) is a Stephen King loving teen writer who is struggling with a crush on a troubled girl in his English class (Liana Liberato, who I was crazy impressed with in her last TIFF outing, David Schwimmer's Trust).  Logan Lerman shows up in his second TIFF film as a fellow writer and potential love interest for Sam.

I thought it was a fairly middle of the road movie (B-).  The director and cast hit the stage after the film for a Q&A and all of the young actors on stage seemed to be having a really good time and were enthusiastic about the film and their characters.  Kinnear seemed to be a little bit bored to be there, though maybe he was just letting the younguns have the moment.

Whew.  That's it for the first weekend and first 8 movies on my schedule :-)

TIFF 2011: Wrap up and Recos

So TIFF ends for another year. The red carpets have been rolled up, awards have been handed out and I really don't want to see any of the RBC/Bell/Lightbox/Cadillac/Princess Grace exhibit ads again.

For those of you wondering what you should be adding to your lists of things see over the next year in theatres or on your couch, here's how I'd categorize the 18 movies I saw at TIFF this year.

My Favourite Film of the Festival

• Friends With Kids. Putting aside the fact that I am enamoured with Mr. Hamm and much of the cast of the film, I'm confident I would have loved it anyway. It's funny and real and well acted. Can "I want you to fuck the shit out of me" be the new "You had me at Hello"?? I would like to think I live in a world where that is possible.

Great Movies (I would absolutely recommend them)

• Ides of March. Fantastic political thriller with wonderful performances all around. No matter what your political leanings (the best comment I've heard is that Democrats will like the first half of the movie and Republicans the second) the story will grab you and take you along for the ride.


• Comic-Con Episode IV: A Fan's Hope. Rock out with your Spock out. Even if you can't embrace your inner geek, the stories are heartfelt and well told.


• First Postition. You will fall in love with these kids. And possibly want to put on your own dancing shoes.


• Drive. Ryan Gosling is great as the Driver and Carey Mulligan is as lovely as ever. It's a stylistic, violent and fast paced 90 minutes.


• Hysteria. Go to see it for the unlikely premise (it's about the invention of the vibrator). Stay for the performances and chemistry between Maggie Gyllenhaal and Hugh Dancy.


• The Oranges. The age old story of a man taking up with a woman half his age is complicated by the fact that she's his best friend's daughter and their families share a neighbourhood and a lot of history.


• Undefeated. Yes it was a real life version of Friday Night Lights.


• Butter. A black comedy ostensibly about a butter carving competition, but really about politics, and a chance to see Hugh Jackman in a cowboy hat for the ladies and Olivia Wilde in fishnets for the guys.

Good Movies (perfect for an afternoon on the movie network or a flight selection)

• The Decendants. Hovers on the border of Good and Great. It's George Clooney, and he's always watchable and the story was good, dialogue well written and supporting cast delivers. Just underwelmed me a bit and ended up first on the Good list.


• Damsels in Distress. Whimsical and entertaining. Greta Gerwig is fantastic, and you have to enjoy a movie that includes elaborate dance numbers.


• Page Eight. Pretty straightforward spy thriller elevated by a great cast and it's coming to TV later this fall.


• Ten Year. A huge cast of characters reconnect for their 10 year high school reunion. People get drunk, feelings get hurt and secrets come out by the end of the night.


• Restless. Mia Wasikowska's great and the story of a dying girl and a guy obsessed with death is simply and well told.


• Union Square. Mira Sorvino gives a fabulous performance as a woman on the verge of a nervous breakdown invading the life of her much more pulled together sister.


• Violet & Daisy. Two teenage assasins get involved with a hit that ends up being more than they expected.

Don't Bother (I wouldn't waste your time unless you really have nothing to do)

• Sleeping Beauty. Disturbing and disjointed. A brave performance by Emily Browning and some moments that really worked surrounded by a lot that didn't for me.


• Sarah Palin - You Betcha!. Nothing new to learn here about the former Governer of Alaska.

Overall I was fairly pleased with my film slate and happy with my selections. I ended up getting a Q&A for 14 of my 18 films, which is my favourite part of the festival experience, and got to see a bunch of stars on stages and red carpets.

What was interesting to me this year was that there seemed to be very little momentum built behind any of the films, as TIFF has become somewhat known as the kickoff to the Oscar season. The people's choice winner (an award that has been won by The King's Speech, Precious and Slumdog Millionaire over the past three years) was Where do We Go Now, a lebanese film that I hadn't heard anything about in line all week. There seemed to by more discussion about award worthy performances than the films themselves. I have a feeling that it's likely because there seems to be a lot of award season bait that hasn't really been seen by anyone yet and didn't come to TIFF this year (The Iron Lady, J. Edgar, Extremely Loud and Incredibly Close to name a few) and people are reserving their judgement a little bit. I guess we'll see over the next few months as we finish out the year!